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项目概况:
建筑设计:MMKM associates
地点:韩国,首尔(1 Magok-dong, Gangseo-gu, Seoul, South Korea)
主持建筑师:Seohong Min
建筑面积:2941.97 m2
完工时间:2017
照片版权:Hanul Lee
 
项目简介:
为物流配送提供IT方案的中型公司Yuhantechnos在2015年4月提出了新的总部大楼设计的委托。当我为了见客户而造访位于Mullae-dong的公寓式工厂时发现了这个工厂典型的问题,建筑的宽度和深度过长,而天花板的高度太矮,这使得员工在商业中心的办公环境变得糟糕。
 
新的建筑位于首尔江西区麻古D17-7十字路口的东北角。朝西南方向看去,作为办公建筑,这个地理条件是不理想的,并且由于靠近大规模的地块,这将使建筑显得很小。但是相邻的闲置空地能让建筑师充分发挥自己的想象力。
 
为了在这个规模发展中的中型公司总部中打造一个庄重的空间,办公区域和服务区被区分开来,并被一层的中庭,二层,三层的庭院和四层连接起来。通过这样的连接来为每层提供室外休息空间。同时通过减少空间的宽度,抬高天花板并将内部空间朝向中庭和庭院使工作人员在建筑的任何地方中能感受到空间的开敞性。
 
为防止午后西南面强烈的阳光直射,连续的长条状六边形铝板一直延续到西南角,与玻璃相连接,同时西立面的玻璃朝向西北方,南立面的玻璃朝向东南方。这样一来,从西南角看上去,建筑西立面和南立面对称呈折纸形状。
 
建筑外形随着不同的视角、时间和天气变化。建筑折纸一样的外形随着观众位置的变化产生多样的视觉效果。此外,铝板和玻璃与和谐的天空阳光相遇产生了更多的变化。总而言之,静止的建筑会因根据不同的情况不断产生新的多样的景象。
 
在当今社会,人们能够通过交互通信在网络媒介轻松获取图像。在生产过程中,这些图像被再生产,消费,持续增强,最终创造出超越文本的价值。一旦建筑这种物理对象能够根据环境和情况产生出不同的景象,任何个体都可以对不同的开放资源进行再创造。由此我们可以预见,图像将会在媒体消费和再造的过程中被放大,从而产生不同的意义与价值。
 
当代建筑的影像,尤其是那些由表皮所创造的影像,最终会成为开放的资源,作为公共物品在公众中产生交流。因此,建筑将会从公众那里获取独特性,公众也将作为影像的消费者和生产者享受这个建筑。



Architect of Record :ONEAN architects & associates
Structure Engineer :Sen Engineering Group
Mechanical Engineer :Dongnam MEC
Electrical Engineer :Sejin Elec. Engineering Co., LTD
Construction:Daekyung E&C
Client :YUHANTECHNOS. CO., LTD

Text description provided by the architects. On April 2015, Yuhantechnos Co., Ltd. a middle-sized company providing IT solutions of logistics distribution has commissioned a new head office building project. To meet the client, when I visited the office located in an apartment-type factory in Mullae-dong, I found the typical problem of the apartment-type factory that as the width and depth of building is long and the ceiling height is low, the working environment of workers in the center of business space is becoming poor.

The site of new building is located in the north-east corner of crossroad, D17-7, Magok district, Gangseo-gu, Seoul, looking toward south and west which is disadvantageous location condition as an office. In addition, as it is close to relatively big scaled sites, it seems that the building may look small. Despite of that, the neighboring land condition that is completely empty without other buildings enables architect to imagine freely.

To design the space with dignity for the HQ. building of the growing middle-sized company, I divided the office area and service area and connected them by an atrium of the first floor and second floor and a courtyard of the third floor and fourth floor. By connecting the bridge outside of the atrium on the second floor and over the courtyard on the fourth floor, I provided the outside resting space at each floor. In addition, I made workers feel the sufficient openness in any space of office area by reducing the depth of the space and raising the height of ceiling and making the inside space facing the atrium and courtyard?

To prevent the strong sunlight in the afternoon from south-west, I arranged a series of long hexagonal aluminum sheets toward south-west corner correctly and connected the other series of glasses among them, and the glass part of the west fa?ade faces north-west and that of the south fa?ade faces south-east. As a result, looking at the building from south-west corner, the building becomes origami shape that west fa?ade and south fa?ade are correctly symmetric.

The image created by the appearance of the building is changing according to the view, time and climate condition. The building appearance with looking-folded origami shape produces very changeable image according to the position of viewer. In addition, aluminum sheet and glasses encounter the harmony of sun and sky which doubles the change. As a result, the shape of stationary building produces new images continuously according to the situation.?

The contemporary society enabled interactive communication that anyone can produce and consume images easily through online media. The images produced through this process are reproduced, consumed and amplified continuously which finally create the meaning and value beyond the text. If the output of architectural work basically producing the physical object can produce different images according to environment and situation, the anonymous individual who consumes these images can secure different open sources for reproduction. And then we can expect the phenomena that images can be amplified through the process of consumption and reproduction on the medium and generate different meaning and value.

Eventually, images in contemporary architecture, especially the images created by the fa?ade are open sources that anonymous publics can make interactive communication, which can function as public goods. Thus, the building becomes to secure the identity from the public and the public can enjoy the building as consumer and producer of the image.
 
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