巴西 CasaCor Pernambuco 2018 展览 Arbor 讲演馆(Arena Arbor )- SELVAGEN

编辑导读:讲演馆采用了参数化设计,通过对树木的形态学分析,将建筑的各个构成部分理解成树木的各个方面,围合的空间顶部有一个天窗,允许自然光线的进入,就如同光线穿过树冠一般…(经典值评价:7.3)
▲ 点击图片可查看大图,并可进入全屏图集模式 ▲


项目概况:
建筑设计:SELVAGEN
地点:巴西(Av. Dezessete de Agosto, 1112 - Parnamirim, Recife - PE, 52060-590, Brazil)
主持建筑师:Paulo Carvalho
建筑面积:65.0 m2
完工时间:2018
照片版权:Guilherme Paiva, Courtesy of SELVAGEN
 
项目简介
CasaCor Pernambuco 2018 是美洲最重要的室内,建筑和景观展览,其舞台项目由参数化设计方法实现,其参数化设计包含程序的设计和通过计算机算法得出的建筑解决方案。整个空间被隐喻为树木,因为树木作为代表生命和为我们带来的愉悦时光的自然要素有着意味深长的象征性,而那将会深刻影响人们在其中的体验。
 
而且,通过对树木的形态学分析,可以将 Arbor Arena 的位置、地面、结构、屋面和照明设备等各个构成部分的功能特性理解为树木的环境、根系、树干、树冠和花朵。
 
除了作为演讲和辩论的空间,它也是一个休息场所,因为它位于整个展览路线末段的中央位置。内部的景观设计意图赋予植被本土气息,因此巴西莓和旅人蕉等热带品种构成了内部环境。而且为了宣传项目中可持续性的重要意义,现存的椰树被保留下来。
 
平台构成了基座,为整个上部结构提供稳定性,而由模块组成的看台从地面升起,在空间内部生成了地形。就像树木的根系,人们可以在上面行走,攀爬或闲坐。由巴西红檀制成的木机构相当于树干,为所有其他的组成部分提供支撑。木构件由金属件固定,两个耐候钢入口边框都采用了三角形的穿孔样式。
 
用于围合空间的由特级中纤板(Super MDF)制成的三角锥,每一个都呈现为不同的高度,靠近看台的位置高度变得平缓,朝向舞台的方向高度逐渐增加。三角锥的开口部分从结构基座向上逐渐减小,并采用帘幕闭合,在能够过滤入射光线之外也实现了内部空间更好的视觉通透性和热舒适度。为了防雨,开口的表面根据角度计算来选择,以实现尽可能最少的积水。
 
在顶部的中心点,三角锥模块之间插入了一个顶部天窗,允许自然光线进入空间,就像光线穿过树冠一样。一个发光的雕塑从天窗位置吊下,象征着 Arbor Arena 的花朵,LED灯带嵌入木框内部,通过折射仅将亚克力构件的边缘点亮。

Team:Lissa Saruhashi, Carlos Marques, Eduardo Correia, Raik Lira
Engineering:Jo?o Carvalho
Lighting Design:Estúdio Carlos Fortes
Landscape Design:Luciano Lacerda
Automation:Morhar
Organization:CasaCor PE

 
Text description provided by the architects. The project for the arena at CasaCor Pernambuco 2018, America’s most important collective of interior design, architecture and landscape, was developed by parametric design’s methodologies which consists in programming design and architectural solutions through computational algorithms. The whole space was conceived as a metaphor related to the tree, due to its meaningful symbolism as a natural element representational of life and the ludic aspect it brings in our memories for playful and comforting moments, that will deeply affect the experiences people will have when inside the arena. 
 
 
 
Also, by analyzing the morphology of a tree it was possible to understand the functional particularity of each component for the construction of the whole, which was fundamental for Arbor Arena’s location, floor, structure, roof and lighting, as the tree’s environment, root, trunk, crown and flower.
 
 
In addition to being a space for lectures and debates, it is also a resting area – in contrast with the event which is mostly for visiting – as its located in a central point at the end of the whole course. The internal landscaping has the intention of bringing a native aspect to the vegetation used and, therefore, tropical species such as açaí and ravenalas compose the environment. And in order to preach the importance of sustainability in the project, the existing coconut palm was preserved.
 
 
 
The deck forms the base that provides stability for the entire structure above it and the grandstand, formed by modules that arise from the floor, generates a topography within the space. Just like the roots of a tree, people can have the experience of being able to walk, climb, sit on it. The structure’s woodwork made in maçaranduba, corresponds to the trunk that offers support to all the rest of the Arena’s component parts. Its pieces are fixed by metal vertices and both corten steel entry frames present a perforated pattern referring to the triangular design.
 
 
The closure made in Super MDF as triangular based pyramids presents a variation of heights in each one of it, which become flatter near the grandstand and gradually increase towards the stage. They feature decreasing openings from the base of the structure, which are closed by curtains, giving a greater visual permeability and thermal comfort to the space, besides being able to filter the incident light. In order to offer protection from the rain, the faces were selected according to the angulation that provides the least accumulation of water possible.
 
 
At their top central point, the modules are interrupted to insert a zenith opening allowing natural light to enter, just as light rays pass through the treetops. Where there is also a luminous sculpture descending from that point as a representation of the flower of the Arena with LED strips embedded inside the wooden profiles that refracts and lightens only the edges of the acrylic pieces.
 





▲ 点击图片可查看大图,并可进入全屏图集模式 ▲





已邀请:

要发表您的看法,请先登录