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挪威 PAN 森林小屋(PAN-cabins )- sivilarkitet espen surnevik as

编辑导读:采用钢结构直接将一个三角形小屋抬高地面8米,这样就可以在北欧森林里享受良好的景观和自然体验,从另一种意义上实现了森林的“高层”居住体验…(经典值评价:7)
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项目概况:
建筑设计:sivilarkitet espen surnevik as
地点:丹麦,海德马克(Hedmark, Norway)
建筑面积:40.0 m2
完工时间:2018
照片版权:Rasmus Norlander, Espen Surnevik, Maren Hansen
 
项目简介:
Pan森林小屋是为业主 PAN-tretopphytter 特别定制的出租小屋。该项目位于挪威东部名为Finnskogen的森林地区,是16世纪芬兰移民在这里定居形成的。这些小屋是对客户的意愿的直观回应,他们希望通过拥有这样独特的建筑,同场地、景观以及北欧森林之间产生带有神话色彩的联系。小屋的设计具有休憩功能,可以让人们在挪威野生的自然环境中自在独处,享受舒适的住宿体验。
 
小屋通过一系列细长的钢结构由地面以上被抬升8米高。考虑到结构上的所承受的风荷载,每个单体的四个主要支撑结构扎入到基岩以下6米处。小屋内设有带双人床的夹层,在主要活动区域设有厨房以及带有壁炉的小型起居区,中部是带有抽水马桶与淋浴的恒温盥洗室。
 
室内两张永久沙发通过展开可以很容易变成床,再加上内墙里还藏有两张折叠床,小屋内共有六个可以供人们休息睡觉地方。该项目艺术地解决了如何将含有人类智慧文明的人工造物,比如一座建筑,置于敏感而野性的自然当中这一难以明确的问题。在神秘的森林世界面前,在所有力量与神话的包围之下,身处于城市的高层建筑只是不自由的现代生活的一个字面意义上的安全前哨。

Other Participants:Engineer Finn-Erik Nilsen
Clients:PAN-tretopphytter

Text description provided by the architects. The PAN-cabins are rental cabins made special for the client PAN-tretopphytter. The project is located in the eastern forest area of Norway, called Finnskogen, after Finish immigrants steeling here in the 16th century. The cabins are made as an intuitive response to the client\'s will and vision of having unique Architecture with an almost mythological link to the place, landscape, and Nordic forests. The cabins are planed with retreat-qualities that offer the possibility for a comfortable stay all alone in the middle of the wild nature of Norway.
 
The cabins are lifted 8m up over the ground on a slender steel structure. Each of the cabins four constructive legs is suspended 6m down in the bedrock under the cabins in order to take care of all wind loads on the structure. The cabins have a mezzanine containing a double bed. On the main floor, there are a kitchen area and a small Livingroom-area with fireplace. In the middle, there is a full heated bathroom with shower and water-toilet.

Two permanent sofas can easily be turned in to beds. There are even two more beds integrated into the interior walls in the cabins. In total there can be six complete sleeping places. The artistic approach in the project deals with the ambiguity of putting a man-made, civilized, and intellectually object, like a building, into the subtitle and wild nature. The elevated buildings become a literal safe outpost for the controlled modern life as we know it from an urban context, but surrounded by the mysterious universe of the forest with all its forces and myths.
 





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